Overview
Exhibition Statement
YehRim Lee:
For Dual Fluorescence, Yehrim Lee channels Spring’s fecundity in floral shapes and overabundant blossoms. Having brought two children into the world in the last two years, the spirit of the season of birth and rebirth is foremost in her mind. Her hands create blooms in vases and on walls. Light blues, dusty pinks, and greens fold in and press out of central pistils. Lee hand-builds her work using traditional onngi jar-making methods passed down in her family of Korean ceramicists. This method allows the strength needed to support complex shapes and the quickness to be expressive in a medium that typically demands slower building. Her work often references traditional Korean ceramics, but she brings in Western notions of expressive overabundance by using multiple glazes with varied textures, drips, and sheens.
 
Yehrim Lee and Chase Travaille were residents together at the Archie Bray Foundation in Helena, Montana. There, their work cross-pollinated, and shards of Yehrim’s work found their way into Travaille’s earliest shard vases. Both Lee and Traville experiment with notions of obsessive repetition and process on overdrive. Lee fires and re-fires, introducing new glazes each cycle, building, as plants often do in the spring, by accretion, layer by layer. The idea of fluorescence is not only about flowering, but also a figurative bursting forth. In any season, but especially the spring, Lee’s work strives to burst forth with exuberance, color, and movement. 
 
Chase Travaille:
This series draws from multiple early figurative traditions- Venus figurines and Cycladic idols alike-where the body functions as a symbolic vessel rather than a portrait. Constructed by the floral shards of diverse artists, the work subverts the idea of a singular origin or unified body. Retitled as Mother Willendorf and related forms, the word mother here signifies esteem, kinship, and chosen lineage. The title mother becomes fluid and something that can be inhabited, bestowed, or recognized- much like the Venus form itself has been repeatedly reinterpreted across cultures and histories. 
 
I chose to remix the flowers from Botticelli’s Birth of Venus painting through collage utilizing yupo paper and images of YehRim’s ceramic work to build a bridge between my pieces and hersfor this exhibition.  I’ll never forget meeting YehRim back in 2020 while at the Archie Bray Foundation. Upon meeting her she introduced herself as YehRim like “Yay!” rim, with joy and a bounce to her step. She was always so kind to me and visited my studio often to check in. She hadn’t become a mother like she is now to two beautiful children, but I’d say she was always and still is Mother.  
 
Opening Reception - Friday, March 6, 5pm - 8pm
Artist Talk with Chase Travaille - Saturday, March 7, 1pm
Email info@laisunkeane.com for preview
Works
  • YehRim Lee, Moon Flower Vase 1, 2025, stoneware, glaze and luster 17 x 20 x 15 in
    YehRim Lee
    Moon Flower Vase 1, 2025
    stoneware, glaze and luster
    20 x 17 x 15 in
    50.8 x 43.2 x 38.1 cm
    signed underside
    YehRim Lee, Moon Flower Vase 1, 2025
    $ 6,800.00
  • YehRim Lee b. 1989 Moon Floret, 2025 signed underside stoneware, glaze and luster 15 x 15 x 11 in
    YehRim Lee
    Moon Floret, 2025
    stoneware, glaze and luster
    11 x 15 x 15 in
    27.9 x 38.1 x 38.1 cm
    signed underside
    YehRim Lee, Moon Floret, 2025
    $ 4,000.00
  • Chase Travaille, Mother Monstro Elisasue, 2025 Ceramic shards and epoxy 12 x 14 x 12 in
    Chase Travaille
    Mother Monstro Elisasue, 2025
    Ceramic shards and epoxy
    12 x 14 x 12 in
    30.5 x 35.6 x 30.5 cm
    Chase Travaille, Mother Monstro Elisasue, 2025
    $ 3,500.00
  • Chase Travaille, Mother Willendorf, ceramic shard, 17x9x8in
    Chase Travaille
    Mother Willendorf, 2024
    Ceramic shards and epoxy
    17 x 9 x 8 in
    43.2 x 22.9 x 20.3 cm
    Chase Travaille, Mother Willendorf, 2024
    $ 3,000.00
  • Chase Travaille, Mother Cycladic Violin (Pink), Ceramic shards, 21x8.5x4 in
    Chase Travaille
    Mother Cycladic Violin (Pink), 2025
    Ceramic shards and epoxy
    21 x 8.5 x 4 in
    53.3 x 21.6 x 10.2 cm
    Chase Travaille, Mother Cycladic Violin (Pink), 2025
    $ 3,500.00
  • Chase Travaille, Mother Lespeque, ceramic shards and epoxy, 21 x 13 x 13in
    Chase Travaille
    Mother Lespeque, 2025
    Ceramic shards and epoxy
    21 x 13 x 3 in
    53.3 x 33 x 7.6 cm
    Chase Travaille, Mother Lespeque, 2025
    $ 3,500.00
  • YehRim Lee b. 1989 Moon Flower Vase 2, 2025 signed underside stoneware, glaze and luster 17 x 17 x 17 in
    YehRim Lee
    Moon Flower Vase 2, 2025
    stoneware, glaze and luster
    17 x 17 x 17 in
    43.2 x 43.2 x 43.2 cm
    signed underside
    YehRim Lee, Moon Flower Vase 2, 2025
    $ 6,800.00
  • YehRim Lee b. 1989 Stone Fruit, 2025 signed underside stoneware, glaze and luster 17 x 14 x 11 in
    YehRim Lee
    Stone Fruit, 2025
    stoneware, glaze and luster
    11 x 17 x 14 in
    27.9 x 43.2 x 35.6 cm
    signed underside
    YehRim Lee, Stone Fruit, 2025
    $ 4,500.00
  • YehRim Lee, Wallflower (Blue), stoneware and glaze, 15x15x6in
    YehRim Lee
    Wallflower (Blue), 2025
    stoneware, glaze
    15 x 15 x 6 in
    38.1 x 38.1 x 15.2 cm
    signed underside
    YehRim Lee, Wallflower (Blue), 2025
    $ 3,700.00
  • YehRim Lee, Wallflower (Gold 2), stoneware and glaze, 15x15x6.5in
    YehRim Lee
    Wallflower (Gold 2), 2025
    stoneware, glaze
    15 x 15 x 6 1/2 in
    38.1 x 38.1 x 16.5 cm
    signed underside
    YehRim Lee, Wallflower (Gold 2), 2025
    $ 3,700.00
  • Chase Travaille b. 1994 Mother Cycladic Violin (Green), 2025 Ceramic shards and epoxy 21 x 11 x 3.5 in
    Chase Travaille
    Mother Cycladic Violin (Green), 2025
    Ceramic shards and epoxy
    21 x 11 x 3.5 in
    53.3 x 27.9 x 8.9 cm
    Chase Travaille, Mother Cycladic Violin (Green), 2025
    $ 3,500.00
  • Chase Travaille, Mother Galgenberg, ceramic shards, 21 x 13 x 3 in
    Chase Travaille
    Mother Galgenberg, 2025
    Ceramic shards and epoxy
    21 x 13 x 3 in
    53.3 x 33 x 7.6 cm
    Chase Travaille, Mother Galgenberg, 2025
    $ 3,500.00
  • Chase Travaille b. 1994 YehRim's Shard Study No.1, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 17 x 21 in
    Chase Travaille
    YehRim's Shard Study No.1, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    17 x 21 in
    43.2 x 53.3 cm
    Chase Travaille, YehRim's Shard Study No.1, 2025
    $ 1,200.00
  • Chase Travaille b. 1994 YehRim's Shard Study No.2, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 17 x 21 in
    Chase Travaille
    YehRim's Shard Study No.2, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    17 x 21 in
    43.2 x 53.3 cm
    Chase Travaille, YehRim's Shard Study No.2, 2025
    $ 1,200.00
  • YehRim Lee, Wallflower (Green), stoneware and glaze, 15x15x5.5in
    YehRim Lee
    Wallflower (Green), 2025
    stoneware, glaze
    15 x 15 x 5 1/2 in
    38.1 x 38.1 x 14 cm
    signed underside
    YehRim Lee, Wallflower (Green), 2025
    $ 3,700.00
  • YehRim Lee, Wallflower (Gold), stoneware and glaze, 15x15x4.5in
    YehRim Lee
    Wallflower (Gold), 2025
    stoneware, glaze and luster
    15 x 15 x 4 1/2 in
    38.1 x 38.1 x 11.4 cm
    signed underside
    YehRim Lee, Wallflower (Gold), 2025
    $ 3,700.00
  • YehRim Lee, Wallflower (Pink), stoneware and glaze, 16x15x7in
    YehRim Lee
    Wallflower (Pink), 2025
    stoneware, glaze
    16 x 15 x 7 in
    40.6 x 38.1 x 17.8 cm
    signed underside
    YehRim Lee, Wallflower (Pink), 2025
    $ 3,700.00
  • Chase Travaille b. 1994 Flowers From the Birth of Venus (After Botticelli) No. 1, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 12 x 12 in
    Chase Travaille
    Flowers From the Birth of Venus (After Botticelli) No. 1, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    12 x 12 in
    30.5 x 30.5 cm
    Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 1, 2025
    $ 550.00
  • Chase Travaille b. 1994 Flowers From the Birth of Venus (After Botticelli) No. 3, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 12 x 12 in
    Chase Travaille
    Flowers From the Birth of Venus (After Botticelli) No. 3, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    12 x 12 in
    30.5 x 30.5 cm
    Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 3, 2025
    $ 550.00
  • Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 2, 12x12in, collage
    Chase Travaille
    Flowers From the Birth of Venus (After Botticelli) No. 2, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    12 x 12 in
    30.5 x 30.5 cm
    Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 2, 2025
    $ 550.00
  • Chase Travaille b. 1994 Flowers From the Birth of Venus (After Botticelli) No. 4, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 12 x 12 in
    Chase Travaille
    Flowers From the Birth of Venus (After Botticelli) No. 4, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    12 x 12 in
    30.5 x 30.5 cm
    Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 4, 2025
    $ 550.00
  • Chase Travaille b. 1994 Flowers From the Birth of Venus (After Botticelli) No. 4, 2025 Images of Yeh Rim Lee's ceramics and yupo paper on strathmore 12 x 12 in
    Chase Travaille
    Flowers From the Birth of Venus (After Botticelli) No. 5, 2025
    Images of Yeh Rim Lee's ceramics and yupo paper on strathmore
    12 x 12 in
    30.5 x 30.5 cm
    Chase Travaille, Flowers From the Birth of Venus (After Botticelli) No. 5, 2025
    $ 550.00
Press release

OPENING RECEPTION - Friday, March 6, 5pm to 8pm

ARTIST TALK with Chase Travaille - Saturday, March 7, 1pm

 

LaiSun Keane is pleased to present Dual Florescence, an exhibition of new work by YehRim Lee and Chase Travaille. This is Lee’s first exhibition at the gallery and Travaille’s fourth, following one solo and two group exhibitions. The artists met while in residence at the Archie Bray Foundation during the pandemic, where their practices developed through friendship, shared interests, and approaches to art.

 

The title Dual Florescence refers to the process of flowering and expansion. In developing the exhibition, the artists communicated closely to arrive at a shared title and to shape their work in relation to one another, with the aim of presenting a cohesive and complementary exhibition. For both artists, spring serves as a point of reference for growth, renewal, and collaboration, with floral forms and colors providing a common thread throughout the presentation.

 

Lee’s hand-built ceramics employ traditional Korean onggi jar-making techniques passed down through her family. Her floral forms are built through repeated firings and layered glazes, referencing both Korean ceramic traditions and Western approaches to surface and scale.

 

Travaille’s work draws from early figurative traditions such as Venus figurines and Cycladic idols, treating the body as a symbolic form rather than a portrait. Constructed from ceramic shards by multiple artists, the sculptures challenge singular authorship and origin. The title “mother,” such as Mother Willendorf, refer to kinship and chosen lineage. For this exhibition, Travaille incorporates floral imagery from Botticelli’s Birth of Venus alongside references to Lee’s ceramic work. 

 

YehRim Lee earned her BFA in Ceramics from Korea National University of Cultural Heritage (2013), and received her MFA from the New York State College of Ceramics at Alfred University (2017). Lee has exhibited nationally and internationally and has presented multiple solo exhibitions at museums and academic institutions throughout the U.S. Her work has also been included in major international ceramic biennials and museum exhibitions. She was artist in residence at the University of Georgia, the University of the Arts in Philadelphia, The Clay Studio, and Archie Bray Foundation in Helena, Montana. Lee is the daughter of renowned Korean ceramist Kang-Hyo Lee and is based in Joshua Tree, California.

 

Chase Travaille received his BFA in Ceramics from the Kansas City Art Institute (2015) and MFA in Ceramics from the New York State College of Ceramics at Alfred University (2019). He has presented solo exhibitions at LaiSun Keane in Boston and the Windgate Museum of Art at Hendrix College in Conway, Arkansas, and has participated in numerous group exhibitions nationally and internationally. His work has been recognized with awards and fellowships including the Windgate Fellowship and Taunt Fellowship from the Archie Bray Foundation, finalist distinction for the Young Sculptors Competition at Miami University, the International Sculpture Center’s Outstanding Student Achievement in Contemporary Sculpture Award, and recognition from Beautiful Bizarre Magazine. He is based in Little Rock, Arkansas.

 

For press inquiries, images, or additional information, please contact LaiSun Keane at laisun@laisunkeane.com or 978 495 6697.